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home·artworks·Basket Makers in Naples
Basket Makers in Naples by Rubens Santoro

plate no. 8569

Basket Makers in Naples

Rubens Santoro, 1878

oilRealismgenre paintingfiguresbuildingsarchitecturestonecourtyardsky
some experience helpful

Recreating this painting will help students develop skills in rendering textures like stone and fabric, as well as capturing the effects of light and shadow on complex forms. It also provides practice in depicting figures in a realistic setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings and figures.

  2. step 02

    Establish the main light source and map out areas of light and shadow.

  3. step 03

    Begin blocking in the large shapes of the buildings and figures with thin washes of color.

  4. step 04

    Develop the textures of the stone walls using broken brushstrokes and varying values.

  5. step 05

    Add details to the figures, paying attention to the folds of their clothing and their facial features.

  6. step 06

    Refine the colors and values throughout the painting, creating a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Step back and make any necessary adjustments to the composition or color balance.

color palette

primary · titanium white · raw umber · yellow ochre · ultramarine blue

secondary · burnt sienna · cadmium red light · viridian

Mix various shades of gray and brown by combining raw umber, yellow ochre, and titanium white. Use ultramarine blue and white for the sky. Add small amounts of cadmium red light to warm up the browns and grays.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·alla prima
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#6 flat brush
  • ·#2 filbert brush

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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related guides

oil painting for beginners →how to learn by studying the masters →
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