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home·artworks·Bash Bish Falls
Bash Bish Falls by John Frederick Kensett

plate no. 6255

Bash Bish Falls

John Frederick Kensett, 1860

oilRealismlandscapewaterfallrockstreeswaterfoliagelandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how light interacts with water and rock formations. Students will also learn to create a sense of atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the waterfall, rocks, and trees.

  2. step 02

    Establish the dark and light values with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin layering in the colors of the rocks, starting with darker shades and gradually adding highlights.

  4. step 04

    Paint the waterfall using thin layers of white and blue, capturing the movement and transparency of the water.

  5. step 05

    Add the foliage, using a variety of greens and browns to create texture and depth.

  6. step 06

    Refine the details of the rocks and water, paying attention to the way light reflects off the surfaces.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · titanium white · ultramarine blue · yellow ochre

secondary · sap green · raw sienna · alizarin crimson

Mix greens by combining yellow ochre and ultramarine blue. Create various shades of brown by mixing burnt umber with other colors like blue, red, or yellow. Use white to lighten colors and create highlights.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·wet-on-dry blending
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much paint, resulting in a muddy or flat appearance.
  • →Ignoring the importance of value contrast.
  • →Failing to capture the movement and transparency of the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to improve the flow and drying time of the paint.

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oil painting for beginners →how to learn by studying the masters →
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