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home·artworks·Barred Out
Barred Out by Ralph Hedley

plate no. 7636

Barred Out

Ralph Hedley, 1896

oilRealismgenre paintingchildrendoorwayinteriorfiguresclassroomteacher
experienced study

Recreating this painting will help students develop skills in rendering figures in a complex composition and capturing subtle variations in light and shadow. It also provides practice in creating a sense of depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and placement.

  2. step 02

    Establish the background tones and the overall light direction.

  3. step 03

    Block in the main colors of the figures, focusing on the larger shapes and avoiding details.

  4. step 04

    Begin refining the figures, adding details to the faces and clothing.

  5. step 05

    Work on the textures of the walls, floor, and door, using varied brushstrokes.

  6. step 06

    Develop the light and shadow, creating depth and dimension.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or value.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red light

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use ultramarine blue and yellow ochre to create muted greens for clothing. Add small amounts of cadmium red light to warm up the browns and create skin tones.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing

common pitfalls

  • →Getting lost in details too early.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, ultramarine blue, yellow ochre, cadmium red light)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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