apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Barche De Pesche, Venezia
Barche De Pesche, Venezia by Antonietta Brandeis

plate no. 2604

Barche De Pesche, Venezia

Antonietta Brandeis, 1910

oilRealismcityscapeboatswaterbuildingsskycityscapereflections
some experience helpful

Recreating this painting will help students develop skills in depicting reflections in water and capturing atmospheric perspective in a cityscape. It also provides practice in rendering details with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the boat, buildings, and horizon line.

  2. step 02

    Block in the main color areas: sky, water, buildings, and boat, using thin washes.

  3. step 03

    Develop the sky with layers of blues and whites, creating soft cloud formations.

  4. step 04

    Add details to the buildings, using a variety of warm and cool tones to suggest depth and texture.

  5. step 05

    Paint the boat, paying attention to the light and shadow on its surfaces.

  6. step 06

    Create reflections in the water, using slightly muted versions of the colors above.

  7. step 07

    Add final details such as figures on the boat, rigging, and architectural details.

  8. step 08

    Refine the brushwork to enhance the overall texture and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · sap green · raw sienna

Mix various shades of blue and white for the sky and water. Use yellow ochre and burnt umber for the buildings, adjusting the tones with white and small amounts of red or green.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-dry layering
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details, leading to a stiff and unnatural look.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the subtle color variations in the water and sky.
  • →Making the reflections too literal or symmetrical.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use good quality oil paints for best results. A medium can help with blending and drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy