apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Barber Extracting of Tooth
Barber Extracting of Tooth by Adriaen van Ostade

plate no. 4173

Barber Extracting of Tooth

Adriaen van Ostade, 1637

oilBaroquegenre paintingfiguresinteriorbarbertooth extractiongenre scenedomestic life
some experience helpful

Recreating this painting will help students develop skills in rendering figures in dynamic poses and capturing the atmosphere of a dimly lit interior. It also provides practice in mixing subtle color variations to create depth and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and key elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main colors of the figures and background, paying attention to the light source.

  4. step 04

    Develop the details of the figures, including their clothing, facial expressions, and gestures.

  5. step 05

    Refine the background elements, adding details to the interior and objects.

  6. step 06

    Create depth by layering glazes of color and adjusting values.

  7. step 07

    Add highlights and shadows to enhance the form and create a sense of realism.

  8. step 08

    Apply final touches and details to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the warm, muted tones by mixing burnt umber and raw sienna with small amounts of black and white. Use yellow ochre and cadmium red for skin tones, and ultramarine blue for cooler shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·damar varnish
  • ·medium

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne