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home·artworks·Baku
Baku by Alexey  Bogolyubov

plate no. 7865

Baku

Alexey Bogolyubov, 1861

oil, canvasRealismcityscapecityscapearchitecturefiguresstreettowerbuildings
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for light and shadow, and capturing the texture of buildings and surfaces with visible brushstrokes. It also provides practice in depicting figures within a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and tower.

  2. step 02

    Block in the sky with a thin layer of blue, allowing some variation in tone.

  3. step 03

    Establish the basic color and value of the tower and buildings, focusing on the light and shadow areas.

  4. step 04

    Add details to the architecture, such as windows, arches, and decorative elements.

  5. step 05

    Paint the figures in the scene, paying attention to their proportions and placement.

  6. step 06

    Add details to the foreground elements, such as the stacked materials and market goods.

  7. step 07

    Refine the brushwork and color variations to create texture and depth.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · yellow ochre · ultramarine blue · titanium white

secondary · burnt umber · raw sienna · cadmium yellow

Mix yellow ochre and white for the sunlit buildings. Use ultramarine blue and white for the sky, adding a touch of yellow ochre near the horizon. Burnt umber and raw sienna are used for shadows and details in the buildings and ground.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·linear perspective

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to establish a strong sense of light and shadow.
  • →Incorrect perspective, leading to a distorted composition.
  • →Using colors that are too saturated, resulting in an unrealistic appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (yellow ochre, ultramarine blue, titanium white, burnt umber, raw sienna, cadmium yellow)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grit canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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