
plate no. 2937
Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering soft, diffused light. It also provides practice in depicting drapery and foliage with loose brushwork.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and laurel wreath.
Establish the background color with a thin, even wash.
Block in the main areas of light and shadow on the face and body using a limited palette.
Begin refining the skin tones by layering and blending colors, paying close attention to subtle variations.
Add details to the eyes, nose, and mouth, focusing on capturing the likeness of the subject.
Paint the hair, using loose brushstrokes to suggest texture and movement.
Render the laurel wreath, paying attention to the shapes and values of the leaves.
Add final highlights and shadows to enhance the form and create a sense of depth.
color palette
primary · titanium white · raw umber · burnt sienna · yellow ochre
secondary · cadmium red light · viridian
Achieve skin tones by mixing white, raw umber, burnt sienna, and a touch of red. Use yellow ochre to warm the skin tones and viridian to cool the shadows. Mix greens for the leaves by combining yellow ochre and viridian.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a smooth canvas for easier blending. Consider toning the canvas with a thin wash of raw umber before beginning.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne