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home·artworks·Avenue of Cryptomeria Leading to the Temple of Fiaharajinshu, Nikko, Japan
Avenue of Cryptomeria Leading to the Temple of Fiaharajinshu, Nikko, Japan by John Varley II

plate no. 6154

Avenue of Cryptomeria Leading to the Temple of Fiaharajinshu, Nikko, Japan

John Varley II

oilRealismlandscapetreespatharchitecturefigurelandscapeJapan
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic tree bark texture. It also provides practice in capturing subtle color variations in natural light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a basic sketch outlining the main shapes: trees, path, architecture, and figure.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the sky and ground with broad strokes, focusing on the overall color temperature.

  4. step 04

    Begin layering colors for the trees, using a mix of greens, browns, and yellows. Pay attention to the light and shadow.

  5. step 05

    Add details to the architectural elements, such as the temple gate and the bridge.

  6. step 06

    Paint the figure in the foreground, focusing on capturing the form and the umbrella.

  7. step 07

    Refine the details and add highlights to create depth and realism.

  8. step 08

    Add final touches and adjust colors as needed.

color palette

primary · burnt umber · raw sienna · sap green · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Mix greens by combining sap green, yellow ochre, and ultramarine blue. Achieve earth tones by mixing burnt umber, raw sienna, and titanium white.

techniques

  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·sap green oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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