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home·artworks·Autumn landscape with hunter
Autumn landscape with hunter by Isaac Levitan

plate no. 7182

Autumn landscape with hunter

Isaac Levitan, 1880

oil, canvasRealismlandscapetreesforesthunterdoglandscapeautumn
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural tones, and creating texture with brushstrokes. It's a good exercise in capturing the mood of a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the path and the placement of the trees, hunter and dog.

  2. step 02

    Block in the sky with a light, muted color, establishing the overall value.

  3. step 03

    Establish the dark masses of the trees on either side of the path, using a mix of browns and greens.

  4. step 04

    Paint the path with varying shades of green and brown, indicating the grass and fallen leaves.

  5. step 05

    Add the hunter and dog, paying attention to their proportions and placement within the scene.

  6. step 06

    Begin adding details to the trees, using thin lines and varying brushstrokes to create texture.

  7. step 07

    Add highlights and shadows to the grass and leaves to create depth and dimension.

  8. step 08

    Refine the details and adjust the colors as needed to achieve the desired effect.

color palette

primary · burnt umber · yellow ochre · titanium white · sap green

secondary · raw sienna · ultramarine blue · cadmium red light

Mix browns with blues and reds for the tree trunks. Use yellow ochre and sap green mixed with white for the grass. Muted grays for the sky are achieved by mixing complementary colors.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·broken color
  • ·layering

common pitfalls

  • →Overworking the details, losing the overall atmospheric effect.
  • →Using colors that are too bright or saturated, resulting in an unnatural look.
  • →Ignoring the perspective of the path and trees, creating a flat or distorted image.
  • →Failing to create enough variation in the brushstrokes, resulting in a monotonous texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·painting medium

Use a medium-tooth canvas for better texture. Consider using a pre-toned canvas with a light brown or gray wash.

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oil painting for beginners →how to learn by studying the masters →
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