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home·artworks·Autumn Landscape
Autumn Landscape by Abbott Handerson Thayer

plate no. 2488

Autumn Landscape

Abbott Handerson Thayer, 1866

oilRealismlandscapetreeslandscapefiguresautumnpathfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in capturing the atmospheric perspective of a landscape. Students will also learn to simplify complex forms into expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the trees, figures, and horizon line.

  2. step 02

    Establish the background with a thin wash of light blues and grays to represent the distant mountains.

  3. step 03

    Block in the main shapes of the trees with broad strokes of color, focusing on the overall color masses.

  4. step 04

    Begin layering colors within the trees to create depth and variation, using a mix of reds, oranges, yellows, and browns.

  5. step 05

    Define the path and foreground with earth tones, adding texture with broken brushstrokes.

  6. step 06

    Add the figures and animals, keeping them simple and suggestive.

  7. step 07

    Refine the details of the trees and foliage, paying attention to the direction of light and shadow.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and atmosphere.

color palette

primary · burnt sienna · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · raw umber · sap green

Mix various shades of brown and green by combining the primary colors. Use white to lighten colors and create highlights. Mix red and yellow for oranges, and blue and yellow for greens.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by overmixing on the palette.
  • →Failing to establish a strong sense of depth and atmosphere.
  • →Making the figures too detailed and distracting from the overall scene.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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