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home·artworks·Autumn forest
Autumn forest by Mikhail Olennikov

plate no. 1580

Autumn forest

Mikhail Olennikov

oilRealismlandscapetreesforestlandscaperocksautumnsky
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating texture with visible brushstrokes. It also provides practice in simplifying complex natural forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the rocks, trees, and horizon line.

  2. step 02

    Block in the large areas of color for the sky, distant hills, and foreground.

  3. step 03

    Add darker values to the rocks to define their form and create shadows.

  4. step 04

    Layer different shades of orange, yellow, and brown to create the foliage.

  5. step 05

    Use short, broken brushstrokes to suggest the texture of the trees and rocks.

  6. step 06

    Add details such as small branches and highlights to the foreground.

  7. step 07

    Refine the edges of the shapes and blend colors where necessary.

  8. step 08

    Add final touches and highlights to create depth and interest.

color palette

primary · burnt sienna · yellow ochre · ultramarine blue · titanium white

secondary · cadmium orange · alizarin crimson · viridian green

Mix various shades of brown and grey by combining the primary colors. Use white to lighten the colors and create highlights. Mix orange and red for the autumn foliage.

techniques

  • ·dry brush texture
  • ·broken color
  • ·layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear value structure.
  • →Neglecting the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (burnt sienna, yellow ochre, ultramarine blue, titanium white, cadmium orange, alizarin crimson, viridian green)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·apron

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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