apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Autumn Evening
Autumn Evening by Ferdinand Hodler

plate no. 2185

Autumn Evening

Ferdinand Hodler, 1892

oil, canvasRealismlandscapetreesroadleavesskylandscapeautumn
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering colors to create depth. It also provides practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the road and the placement of the trees.

  2. step 02

    Block in the sky with light yellow and blue hues, blending them softly.

  3. step 03

    Establish the horizon line and the distant landscape with muted greens and blues.

  4. step 04

    Paint the green fields on either side of the road, varying the shades of green to create depth.

  5. step 05

    Lay down the base color of the road with a light beige or cream color.

  6. step 06

    Add the fallen leaves using various shades of orange, red, and brown, concentrating them along the edges of the road.

  7. step 07

    Paint the tree trunks and branches with dark brown and black, adding details to the leaves.

  8. step 08

    Refine the details and add highlights to create a sense of light and atmosphere.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · titanium white

secondary · cadmium red · viridian green · raw umber

Mix various shades of green by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Achieve the warm tones of the leaves by mixing burnt sienna, cadmium red, and yellow ochre.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·layering
  • ·dry brushing

common pitfalls

  • →Overworking the details, losing the overall impressionistic feel.
  • →Creating too much contrast, making the painting appear harsh.
  • →Ignoring the perspective of the road, resulting in a flat composition.
  • →Using colors straight from the tube without mixing, leading to a lack of harmony.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy