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home·artworks·Autorretrato joven
Autorretrato joven by Julio Romero de Torres

plate no. 2229

Autorretrato joven

Julio Romero de Torres, 1898

oilRealismself-portraitself-portraitartiststudiofigurepaletteinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones, as well as understanding atmospheric perspective and creating depth in an interior scene.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements like the tables and window.

  2. step 02

    Establish the background with a thin wash of muted grays and blues, paying attention to the subtle variations in tone.

  3. step 03

    Block in the main shapes of the figure, using a limited palette of dark browns and blacks to define the form.

  4. step 04

    Begin to refine the facial features, focusing on capturing the likeness of the artist and creating realistic skin tones.

  5. step 05

    Add details to the clothing and accessories, such as the scarf and palette, using a variety of brushstrokes to create texture and interest.

  6. step 06

    Paint the objects in the background, such as the paintings and sculptures, using a looser, more impressionistic style.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · burnt sienna

Achieve the muted tones by mixing black and white with small amounts of other colors. The skin tones are created by blending white, red, yellow ochre, and a touch of umber.

techniques

  • ·portraiture
  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figure wrong
  • →Overworking the details and losing the overall sense of atmosphere
  • →Using colors that are too bright or saturated
  • →Failing to capture the likeness of the artist

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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