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Autorretrato by Giulio Cesare Procaccini

plate no. 8260

Autorretrato

Giulio Cesare Procaccini, 1624

oilBaroqueself-portraitportraitmanfaceclothinghairself-portrait
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering subtle skin tones. It also provides practice in creating depth and atmosphere through chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone brown or gray.

  2. step 02

    Sketch the basic shapes and proportions of the head, shoulders, and clothing using a light pencil or charcoal.

  3. step 03

    Establish the main areas of light and shadow with thin washes of burnt umber and raw sienna.

  4. step 04

    Begin building up the skin tones using layers of color, focusing on the highlights and shadows.

  5. step 05

    Paint the hair, paying attention to the direction of the strands and the variations in tone.

  6. step 06

    Define the clothing and background, using darker values to create contrast and depth.

  7. step 07

    Add details such as the eyes, nose, and mouth, carefully observing the shapes and values.

  8. step 08

    Refine the painting with glazes and highlights to create a sense of realism and atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing white, burnt umber, raw sienna, and small amounts of cadmium red light and yellow ochre. Use ivory black to darken shadows and create depth.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·value studies

common pitfalls

  • →Getting the proportions wrong, especially in the face.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to create enough contrast between light and shadow.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·charcoal

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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