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home·artworks·Austrian soldiers crossing a ford
Austrian soldiers crossing a ford by August von Pettenkofen

plate no. 0744

Austrian soldiers crossing a ford

August von Pettenkofen, 1851

oilRealismlandscapesoldiersriverlandscapecloudsfigureshill
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, rendering figures in a landscape, and creating a sense of movement with brushstrokes. It also provides practice in mixing muted, natural colors.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the hill and figures.

  2. step 02

    Block in the sky with light gray and white, creating soft cloud formations.

  3. step 03

    Establish the base color for the hill, using a mix of ochre, umber, and white.

  4. step 04

    Add darker tones to the hill to create shadows and texture.

  5. step 05

    Paint the river with muted blues and grays, reflecting the sky.

  6. step 06

    Begin adding the figures, starting with the larger shapes and gradually adding details.

  7. step 07

    Use small, quick brushstrokes to suggest movement in the figures and water.

  8. step 08

    Add final highlights and details to the figures and landscape.

color palette

primary · titanium white · raw umber · yellow ochre

secondary · ultramarine blue · burnt sienna

Achieve the muted tones by mixing complementary colors (e.g., blue and orange) with white. Use a limited palette to create color harmony.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details in the figures, losing the overall impressionistic effect.
  • →Creating too much contrast, making the painting appear harsh.
  • →Failing to establish a clear sense of depth and distance.
  • →Using colors that are too saturated, disrupting the muted palette.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·linseed oil
  • ·round brushes size 2-6

optional

  • ·palette knife
  • ·painting medium
  • ·odorless mineral spirits

A toned canvas (e.g., with a thin wash of raw umber) can help establish a muted color palette from the start.

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oil painting for beginners →how to learn by studying the masters →
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