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home·artworks·Aufbahrung der Märzgefallenen
Aufbahrung der Märzgefallenen by Adolph Menzel

plate no. 8994

Aufbahrung der Märzgefallenen

Adolph Menzel, 1848

oilRealismgenre paintingbuildingfigurescrowdarchitecturecityscapeprocession
experienced study

Recreating this painting will help students develop skills in depicting large crowds, atmospheric perspective, and architectural details with loose brushwork. It also provides practice in creating a sense of depth and movement.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective of the building and the crowd.

  2. step 02

    Block in the main shapes and colors of the building, focusing on the overall structure and architectural details.

  3. step 03

    Establish the sky and ground planes with broad washes of color, paying attention to the atmospheric perspective.

  4. step 04

    Start adding the figures in the crowd, beginning with the larger shapes and gradually adding details.

  5. step 05

    Use a variety of brushstrokes to create texture and visual interest in the crowd and the building.

  6. step 06

    Pay attention to the light and shadow, and use value contrasts to create depth and dimension.

  7. step 07

    Refine the details of the figures and the building, adding highlights and shadows to create a sense of realism.

  8. step 08

    Add final touches and adjustments to the overall composition and color balance.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · Prussian blue · cadmium red light · raw sienna

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use thin washes for the sky and thicker paint for the figures and architecture.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·broken color
  • ·alla prima

common pitfalls

  • →Getting bogged down in excessive detail too early.
  • →Failing to establish a strong sense of perspective.
  • →Using colors that are too bright or saturated.
  • →Losing the overall composition in the details of the crowd.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (yellow ochre, burnt umber, titanium white, Prussian blue, cadmium red light, raw sienna)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retarder

Use a medium-grit canvas to allow for texture. Consider using a toned canvas to establish a base color.

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