apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Auf Dem Kirchenchor Der Lienzer Pfarrkirche St. Andrä
Auf Dem Kirchenchor Der Lienzer Pfarrkirche St. Andrä by Albin Egger-Lienz

plate no. 1354

Auf Dem Kirchenchor Der Lienzer Pfarrkirche St. Andrä

Albin Egger-Lienz, 1890

canvas, oilRealisminteriorchurch interiororganfiguresarchitecturearchesbalcony
experienced study

Recreating this painting will help students develop skills in perspective, rendering complex architectural details, and capturing subtle variations in light and shadow. It also provides practice in painting figures within an interior space.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the perspective and major architectural elements.

  2. step 02

    Block in the large shapes of the organ, balcony, and figures using diluted washes of color.

  3. step 03

    Establish the light source and begin to build up the values, focusing on the contrast between light and shadow.

  4. step 04

    Develop the details of the organ and architectural features, paying attention to the intricate patterns and textures.

  5. step 05

    Refine the figures, adding details to their clothing and faces.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Glaze over areas to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · ultramarine blue · cadmium red

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use yellow ochre and white for highlights on the architecture. Mix ultramarine blue and burnt sienna for the darker shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·linear perspective

common pitfalls

  • →Incorrect perspective can ruin the sense of depth and space.
  • →Overworking the details can make the painting look stiff and unnatural.
  • →Failing to establish a clear light source can result in a flat and unconvincing image.
  • →Inaccurate color mixing can lead to muddy or unrealistic tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the underpainting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco