apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Audience Granted by the Doge
Audience Granted by the Doge by Francesco Guardi

plate no. 2105

Audience Granted by the Doge

Francesco Guardi, 1770

oil, canvasBaroquegenre paintingarchitectureinteriorfiguresceilingwindowsceremony
experienced study

Recreating this painting will help students develop skills in perspective, rendering complex architectural details, and capturing atmospheric effects with subtle color variations. It also provides practice in painting figures in a crowd.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the perspective and major architectural elements.

  2. step 02

    Block in the large areas of color, focusing on the overall tonal values.

  3. step 03

    Develop the ceiling details, using a variety of browns and golds.

  4. step 04

    Add the figures in the foreground, paying attention to their relative sizes and positions.

  5. step 05

    Refine the architectural details, such as the columns and moldings.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the ceiling's golden tones by mixing raw sienna, burnt umber, and a touch of yellow ochre. Use ultramarine blue and white to create the pale blue walls, and ivory black to darken shadows.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Getting the perspective wrong, which will throw off the entire composition.
  • →Overworking the details, which will make the painting look stiff and unnatural.
  • →Failing to create a sense of depth and atmosphere.
  • →Making the figures too uniform and lacking individuality.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne