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home·artworks·Audience at the Sultan's court
Audience at the Sultan's court by Jean Baptiste Vanmour

plate no. 5060

Audience at the Sultan's court

Jean Baptiste Vanmour, 1737

oil, canvasBaroquegenre paintingfigurescourtinteriortextilesarchitecturegold
experienced study

Recreating this painting will help students develop skills in rendering complex scenes with many figures and creating a sense of depth using atmospheric perspective. It also provides practice in capturing the textures of different materials, such as fabrics and metal.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
1

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Start defining the figures, focusing on their gestures and expressions.

  4. step 04

    Gradually build up the details, adding highlights and shadows to create form.

  5. step 05

    Pay attention to the textures of the fabrics and other materials.

  6. step 06

    Refine the background and add atmospheric perspective to create depth.

  7. step 07

    Add final details, such as jewelry and ornamentation.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue · gold

Achieve the warm, muted tones by mixing burnt umber and raw sienna with small amounts of ivory black and titanium white. Use yellow ochre and cadmium red light to create the warmer hues in the fabrics and skin tones. Mix ultramarine blue with burnt umber to create the cooler shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering fabric

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·dammar varnish
  • ·medium gloss

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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