apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·At the Well
At the Well by Gaston Vuillier

plate no. 5430

At the Well

Gaston Vuillier

oilRealismgenre paintingfigureswellgardenarchitectureplantspottery
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and understanding atmospheric perspective. It also provides practice in rendering textures of different materials like stone, fabric, and foliage.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the well.

  2. step 02

    Establish the background with light washes of color, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figures, paying attention to proportions and poses.

  4. step 04

    Begin adding details to the figures, such as clothing folds and facial features.

  5. step 05

    Develop the details of the well and surrounding garden, including the plants and pottery.

  6. step 06

    Refine the lighting and shadows to create a sense of form and volume.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze with thin layers to adjust values and unify the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · alizarin crimson

secondary · cerulean blue · sap green · raw sienna

Mix greens by combining yellow ochre and cerulean blue. Achieve skin tones by blending titanium white, yellow ochre, and alizarin crimson. Use burnt umber and raw sienna for earthy tones.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of figures
  • →Ignoring atmospheric perspective
  • →Muddying colors by overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·alizarin crimson oil paint
  • ·cerulean blue oil paint
  • ·round brushes sizes 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·sap green oil paint

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy