apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·At the tavern
At the tavern by Gustavo Simoni

plate no. 2451

At the tavern

Gustavo Simoni, 1901

watercolor, gouache, paper, canvasRealismgenre paintingfigurestavernarchitecturemenaccordionclothing
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering realistic textures, and creating atmospheric perspective. It also provides practice in capturing subtle color variations and complex compositions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architecture.

  2. step 02

    Block in the main shapes and values using diluted washes of color.

  3. step 03

    Develop the background architecture, paying attention to the subtle variations in tone and texture.

  4. step 04

    Begin to build up the figures, focusing on accurate anatomy and clothing details.

  5. step 05

    Add details to the faces, hands, and other focal points.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details such as the musical instrument, accessories, and textures.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · ultramarine blue

secondary · yellow ochre · cadmium red · ivory black

Achieve the earthy tones by mixing burnt umber and raw sienna. Use ultramarine blue to create shadows and cool tones. Mix small amounts of cadmium red to warm up the browns and create skin tones.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·value studies

common pitfalls

  • →Incorrect proportions of figures and architecture.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate color mixing leading to flat or unnatural tones.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·gouache paints
  • ·watercolor paper 140lb
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water container
  • ·sketching pencil

optional

  • ·palette knife
  • ·masking fluid
  • ·kneaded eraser

Use high-quality watercolor and gouache paints for best results. Experiment with different brush sizes and techniques to achieve the desired textures and effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy