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home·artworks·At the tap
At the tap by Ivan Mrkviсka

plate no. 0274

At the tap

Ivan Mrkviсka

oilRealismgenre paintingfigurelandscapewaterpotsstoneapron
some experience helpful

Recreating this painting will help students develop skills in rendering form with subtle value changes and creating texture with visible brushstrokes. It also provides practice in depicting realistic figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figure and the water source.

  2. step 02

    Block in the main shapes with thin washes of color, focusing on the overall value structure.

  3. step 03

    Begin building up the details of the figure, starting with the face and hands.

  4. step 04

    Add details to the water source, including the stone wall and the pots.

  5. step 05

    Develop the background, using loose brushstrokes to suggest the landscape.

  6. step 06

    Refine the details and add highlights and shadows to create depth.

  7. step 07

    Pay attention to the textures of the different elements, such as the stone, fabric, and water.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · cadmium red light · ultramarine blue

Mix various shades of brown and gray by combining raw umber, burnt sienna, ivory black, and titanium white. Use small amounts of cadmium red light and ultramarine blue to create subtle color variations.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using too much detail in the background, which can distract from the main subject.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying attention to the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use a medium-grit canvas for best results. Consider using a toned ground to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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