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home·artworks·At the sketches (At the foothills)
At the sketches (At the foothills) by Boris Kustodiev

plate no. 2166

At the sketches (At the foothills)

Boris Kustodiev

oilRealismgenre paintingfigurelandscapemountaintreesfieldsky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using brushstrokes to define form and texture. It's a good exercise in capturing atmospheric perspective and simplifying complex scenes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: mountain, figure, and horizon line.

  2. step 02

    Block in the large areas of color: sky, mountain, field, and the figure's clothing.

  3. step 03

    Start adding details to the mountain, focusing on the snow-covered peak and the shadows.

  4. step 04

    Develop the trees and foliage, using different shades of green and short, broken brushstrokes.

  5. step 05

    Add details to the figure, paying attention to the folds and shadows in the clothing.

  6. step 06

    Refine the foreground, adding details to the grass and plants.

  7. step 07

    Adjust the overall color balance and value contrast to create depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · sap green · yellow ochre · ultramarine blue

secondary · burnt umber · cadmium yellow · alizarin crimson

Mix greens by combining yellow ochre, sap green, and ultramarine blue. Use white to lighten colors and create atmospheric perspective. Mix browns with burnt umber and ultramarine blue.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Not establishing a clear value structure, resulting in a flat painting.
  • →Using too much detail in the background, which can flatten the perspective.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-textured canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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