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home·artworks·At The Rink
At The Rink by Jan van Goyen

plate no. 7270

At The Rink

Jan van Goyen

oilBaroquelandscapebuildingsfiguresskyicetreeslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape setting. It also provides practice in creating a sense of depth and distance through tonal variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings and the horizon line.

  2. step 02

    Establish the sky with broad, blended strokes, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main shapes of the buildings using a limited palette of earth tones.

  4. step 04

    Add the distant trees and figures, paying attention to their relative size and placement.

  5. step 05

    Refine the details of the buildings, adding windows, doors, and other architectural elements.

  6. step 06

    Develop the figures on the ice, using small, gestural strokes to suggest movement and activity.

  7. step 07

    Add highlights and shadows to create depth and dimension in the buildings and figures.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the atmospheric effects.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna · Prussian blue

Achieve the muted tones by mixing white with small amounts of black, umber, and ochre. Use thin glazes of burnt sienna and Prussian blue to create atmospheric effects.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·grisaille

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of atmospheric perspective.
  • →Using colors that are too bright or saturated.
  • →Losing the overall unity of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·Prussian blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a toned canvas (e.g., raw umber wash) to establish a warm undertone.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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