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home·artworks·At the Masquerade (detail)
At the Masquerade (detail) by Charles Hermans

plate no. 3155

At the Masquerade (detail)

Charles Hermans

oilRealismgenre paintingfiguresclothingmasqueradeformal wearportraitscrowd
experienced study

Recreating this painting will help students develop skills in rendering fabric folds and capturing subtle skin tones. It also provides practice in depicting figures in a crowded scene with varying levels of detail.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar neutral tone.

  3. step 03

    Block in the main colors of the clothing, paying attention to the subtle variations in hue and value.

  4. step 04

    Begin to define the forms of the figures, using highlights and shadows to create depth.

  5. step 05

    Add details to the faces and hands, focusing on capturing the expressions and gestures.

  6. step 06

    Render the fabric folds and textures, using a combination of blending and dry brush techniques.

  7. step 07

    Paint the background figures with less detail, creating a sense of depth and atmosphere.

  8. step 08

    Add final details, such as the flowers, masks, and accessories.

color palette

primary · titanium white · ivory black · raw umber · rose madder

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the subtle pinks and grays by mixing white with small amounts of rose madder, raw umber, and black. Use yellow ochre and ultramarine blue to create muted greens for the background.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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