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home·artworks·At the foot of the Petit Saleve
At the foot of the Petit Saleve by Ferdinand Hodler

plate no. 2909

At the foot of the Petit Saleve

Ferdinand Hodler, 1890

oil, canvasRealismlandscapemountaintreeswaterlandscapefoliagesky
some experience helpful

Recreating this painting helps students practice layering colors to create depth and texture, particularly in the mountain and foliage. It also provides experience in capturing reflections in water using simplified color blocks.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the mountain's outline and the river's path.

  2. step 02

    Block in the sky with a light blue wash.

  3. step 03

    Establish the main color masses for the mountain, trees, and water.

  4. step 04

    Begin layering colors on the mountain, using cool blues and grays for shadows and warmer tones for highlights.

  5. step 05

    Develop the foliage with varied greens, yellows, and browns, using short, broken brushstrokes.

  6. step 06

    Paint the water, reflecting the colors of the sky and surrounding landscape.

  7. step 07

    Add details to the foreground, such as the sandy bank and small plants.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · sap green · cadmium yellow · raw sienna

Mix greens by combining yellow ochre and ultramarine blue. Achieve muted tones by mixing complementary colors (e.g., blue and orange).

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color layering
  • ·alla prima

common pitfalls

  • →Overblending, which can flatten the image.
  • →Ignoring the color temperature shifts in the mountain.
  • →Creating overly uniform brushstrokes.
  • →Neglecting the subtle color variations in the water reflections.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (ultramarine blue, yellow ochre, burnt umber, titanium white, sap green)
  • ·round brushes (#4, #6, #8)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a medium-grit canvas to enhance the texture of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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