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home·artworks·At the China Repairer's
At the China Repairer's by Wenzel Tornøe

plate no. 4816

At the China Repairer's

Wenzel Tornøe, 1891

oil, canvasRealismgenre paintinginteriorfigurebabywindowstill lifefurniture
experienced study

Recreating this painting will help students develop skills in rendering realistic light and shadow, as well as creating depth through atmospheric perspective and detailed textures. It also provides practice in capturing the nuances of human figures in a domestic setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of key elements like the figures, furniture, and window.

  2. step 02

    Block in the main shapes and colors, focusing on the large areas of light and shadow.

  3. step 03

    Develop the background elements, paying attention to the atmospheric perspective and subtle color variations.

  4. step 04

    Refine the details of the figures, including the facial features, clothing folds, and hand gestures.

  5. step 05

    Add details to the still life elements on the table and shelves, capturing the textures and reflections.

  6. step 06

    Work on the details of the baby in the cradle, paying attention to the soft lighting and delicate features.

  7. step 07

    Adjust the values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use glazes of burnt sienna and raw umber to create depth and warmth in the shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering textures

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the atmospheric perspective in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (raw umber, ivory black, titanium white, yellow ochre, burnt sienna, ultramarine blue, cadmium red light)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a more harmonious color palette.

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oil painting for beginners →how to learn by studying the masters →
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