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home·artworks·At Marguerite Rempart
At Marguerite Rempart by James Tissot

plate no. 1616

At Marguerite Rempart

James Tissot, 1861

oil, canvasRealismgenre paintingfigurearchitecturebuildingscityscapegazebostatue
experienced study

Recreating this painting will help students develop skills in rendering complex architectural details, capturing realistic textures of fabrics, and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions.

  2. step 02

    Block in the main shapes and colors of the buildings, figure, and gazebo.

  3. step 03

    Develop the architectural details, paying attention to perspective and light.

  4. step 04

    Refine the figure's clothing and features, focusing on folds and shadows.

  5. step 05

    Add details to the gazebo and surrounding environment.

  6. step 06

    Create atmospheric perspective by softening the details and colors of distant elements.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · viridian · yellow ochre · ivory black

Mix various shades of brown and red for the buildings. Use white to create lighter tones for the figure's clothing. Mix greens and browns for the gazebo.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering fabric
  • ·architectural drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of atmospheric perspective.
  • →Inaccurate rendering of architectural perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, viridian, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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