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home·artworks·Asters in a Vase
Asters in a Vase by Henri Fantin-Latour

plate no. 9273

Asters in a Vase

Henri Fantin-Latour, 1875

oil, canvasRealismflower paintingflowersvasestill lifetableshadowsbackground
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and form, as well as understanding subtle value changes to depict light and shadow on rounded objects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase and the overall flower arrangement.

  2. step 02

    Block in the background with a muted, blended color.

  3. step 03

    Establish the dark values of the vase, leaving a highlight for the reflection.

  4. step 04

    Begin layering the colors of the flowers, starting with the darker purples and reds.

  5. step 05

    Add the white and lighter colored flowers, paying attention to their placement and shape.

  6. step 06

    Introduce green foliage, using darker greens in the shadows and lighter greens where light hits.

  7. step 07

    Refine the details of the flowers, adding texture with small brushstrokes.

  8. step 08

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

color palette

primary · burnt umber · titanium white · alizarin crimson · dioxazine purple

secondary · sap green · yellow ochre · ultramarine blue

Mix burnt umber and white for the vase, adding small amounts of alizarin crimson for warmth. Achieve the flower colors by mixing alizarin crimson, dioxazine purple, and titanium white in varying proportions. Use yellow ochre and ultramarine blue to create muted greens.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·dry brushing
  • ·value studies

common pitfalls

  • →Overworking the details of individual flowers before establishing the overall composition.
  • →Using colors that are too bright or saturated, which can make the painting look unrealistic.
  • →Ignoring the subtle value changes that create the illusion of form.
  • →Not blending the background enough, resulting in a distracting texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the depth of color.

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oil painting for beginners →how to learn by studying the masters →
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