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home·artworks·Assumption of the Virgin
Assumption of the Virgin by Juan de Valdes Leal

plate no. 6325

Assumption of the Virgin

Juan de Valdes Leal, 1659

oil, canvasBaroquereligious paintingfiguresangelsskycloudsreligious scenevirgin mary
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective with subtle color variations. It also provides practice in building up layers of paint to achieve depth and luminosity.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and composition on the canvas, paying attention to proportions and placement.

  2. step 02

    Block in the main areas of color with thin washes, establishing the overall value structure.

  3. step 03

    Begin to refine the figures, focusing on the light and shadow patterns on the faces and drapery.

  4. step 04

    Develop the cloud formations, using soft blending techniques to create a sense of depth and atmosphere.

  5. step 05

    Add details to the angels and other figures, such as wings and facial features.

  6. step 06

    Refine the highlights and shadows, adding depth and dimension to the painting.

  7. step 07

    Glaze thin layers of color to unify the painting and create subtle color transitions.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · yellow ochre · alizarin crimson · ultramarine blue

Achieve the flesh tones by mixing titanium white, yellow ochre, alizarin crimson, and a touch of raw umber. Use ultramarine blue and ivory black to create the darker shades of the drapery.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the painting process.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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