
plate no. 9114
Juan Carreño de Miranda, 1657
Recreating this painting will help students develop skills in rendering figures with soft transitions, and creating atmospheric perspective with layered glazes. It will also improve their understanding of Baroque composition and drapery.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure and angels.
Establish the main value structure with thin washes of burnt umber and ultramarine blue.
Block in the main colors of the figure's skin, drapery, and the surrounding clouds.
Begin layering glazes to create depth and luminosity in the skin tones and drapery.
Refine the details of the figure's face and hands, paying attention to subtle shifts in value and color.
Add highlights and shadows to the drapery to create a sense of volume and texture.
Paint the angels with soft, blended brushstrokes, focusing on their delicate features.
Add final details and highlights to the clouds and background to create a sense of atmosphere.
color palette
primary · ultramarine blue · burnt umber · titanium white · yellow ochre
secondary · cadmium red light · ivory black
Mix various skin tones using white, yellow ochre, and a touch of red and umber. Achieve the deep blues of the drapery by layering ultramarine blue over a dark umber base. Use thin glazes of white and blue to create the atmospheric clouds.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne