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home·artworks·Assumption of the Virgin
Assumption of the Virgin by Juan Carreño de Miranda

plate no. 9114

Assumption of the Virgin

Juan Carreño de Miranda, 1657

oilBaroquereligious paintingfigurecloudsangelsreligiousskydrapery
experienced study

Recreating this painting will help students develop skills in rendering figures with soft transitions, and creating atmospheric perspective with layered glazes. It will also improve their understanding of Baroque composition and drapery.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and angels.

  2. step 02

    Establish the main value structure with thin washes of burnt umber and ultramarine blue.

  3. step 03

    Block in the main colors of the figure's skin, drapery, and the surrounding clouds.

  4. step 04

    Begin layering glazes to create depth and luminosity in the skin tones and drapery.

  5. step 05

    Refine the details of the figure's face and hands, paying attention to subtle shifts in value and color.

  6. step 06

    Add highlights and shadows to the drapery to create a sense of volume and texture.

  7. step 07

    Paint the angels with soft, blended brushstrokes, focusing on their delicate features.

  8. step 08

    Add final details and highlights to the clouds and background to create a sense of atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium red light · ivory black

Mix various skin tones using white, yellow ochre, and a touch of red and umber. Achieve the deep blues of the drapery by layering ultramarine blue over a dark umber base. Use thin glazes of white and blue to create the atmospheric clouds.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Failing to establish a strong value structure before adding color.
  • →Using too much paint and losing the luminosity of the glazes.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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