apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Assumption of Mary Magdalene
Assumption of Mary Magdalene by José Antolínez

plate no. 0569

Assumption of Mary Magdalene

José Antolínez, 1672

canvas, oilBaroquereligious paintingfigureangelsskycloudsbooklandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in capturing dynamic poses and complex compositions.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figure and angels.

  2. step 02

    Block in the main color areas for the sky, landscape, and figures using thin washes.

  3. step 03

    Develop the values and forms of the main figure, paying attention to the drapery folds and light source.

  4. step 04

    Add details to the angels, including their wings and facial features.

  5. step 05

    Refine the background landscape and sky, creating depth and atmosphere.

  6. step 06

    Add highlights and shadows to create a sense of volume and realism.

  7. step 07

    Paint the book in the foreground, paying attention to the texture of the pages.

  8. step 08

    Glaze and adjust colors as needed to achieve the desired effect.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · alizarin crimson · burnt sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Create atmospheric blues by layering ultramarine and white. Use raw umber and white for the landscape, adding touches of blue and green for depth.

techniques

  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective

common pitfalls

  • →getting proportions wrong in figure drawing
  • →overblending and losing detail
  • →creating muddy colors
  • →failing to establish a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas 24x30
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne