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home·artworks·Art Lovers in a Painter's Studio
Art Lovers in a Painter's Studio by Pieter Codde

plate no. 5914

Art Lovers in a Painter's Studio

Pieter Codde, 1630

oilBaroquegenre paintingfiguresstudioeaselinteriorhatspainting
some experience helpful

This painting provides practice in rendering figures in a dimly lit interior, focusing on subtle value shifts to create form. Recreating this will also help develop skills in depicting textures of clothing and wooden objects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and placement.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Start building up the figures, focusing on the subtle value changes to define their forms.

  4. step 04

    Work on the background and surrounding objects, maintaining the muted color palette.

  5. step 05

    Add details to the clothing, faces, and accessories, using smaller brushes.

  6. step 06

    Refine the lighting and shadows, paying attention to the direction of the light source.

  7. step 07

    Add final touches, such as highlights and textures, to create a sense of realism.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · raw umber · burnt umber · ivory black · titanium white

secondary · yellow ochre · raw sienna

Achieve the muted tones by mixing the primary colors with white and small amounts of yellow ochre. Use raw umber and ivory black for the darker shadows, and burnt umber for warmer tones.

techniques

  • ·grisaille underpainting
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·limited palette

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a strong value structure.
  • →Not paying attention to the subtle shifts in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth texture to facilitate blending. Consider using a toned canvas to speed up the underpainting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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