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home·artworks·Ars Longa, Vita Brevis
Ars Longa, Vita Brevis by Ralph Hedley

plate no. 7412

Ars Longa, Vita Brevis

Ralph Hedley, 1900

oilRealismportraitfigureportraitartisteaselinteriorpalette
some experience helpful

This painting is a great exercise in capturing a likeness and creating a sense of depth through subtle value changes. Students will learn to mix realistic skin tones and render the texture of clothing and hair.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, easel, and background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color, focusing on the large shapes of the figure, clothing, and background.

  4. step 04

    Begin to refine the details of the face, paying attention to the subtle shifts in value and color.

  5. step 05

    Develop the texture of the beard and hair using short, broken brushstrokes.

  6. step 06

    Add details to the easel, palette, and other objects in the scene.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · yellow ochre · ultramarine blue

Mix skin tones by blending burnt umber, raw sienna, titanium white, and a touch of cadmium red light. Use ultramarine blue and burnt umber to create dark shadows.

techniques

  • ·underpainting
  • ·value study
  • ·broken color
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy or dull colors.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (#2, #4, #6)
  • ·flat brush (#8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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