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home·artworks·Arricia near Rome
Arricia near Rome by Mikhail Lebedev

plate no. 3729

Arricia near Rome

Mikhail Lebedev, 1835

oilRealismlandscapetreeslandscapearchitecturebuildingfoliagehillside
some experience helpful

Recreating this painting will help students develop skills in hatching, cross-hatching, and creating depth through value variations. It also provides practice in rendering complex forms like trees and buildings with a limited palette.

technical profile

palette complexity
1
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the main elements: the tree, the buildings, and the horizon line.

  2. step 02

    Establish the darkest areas of the painting, such as the shadows within the trees and the darker portions of the buildings.

  3. step 03

    Begin adding layers of hatching and cross-hatching to build up the mid-tones, paying attention to the direction of light.

  4. step 04

    Focus on creating texture in the trees and foliage using short, broken lines and varying the pressure on your pencil.

  5. step 05

    Add details to the buildings, such as windows, roofs, and architectural features, using precise lines.

  6. step 06

    Refine the foreground by adding details to the grass and foliage, using a combination of short and long lines.

  7. step 07

    Adjust the values and contrast throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final touches and highlights to enhance the overall composition.

color palette

primary · black · white

secondary · gray

Varying the pressure of the pencil and layering different densities of hatching will create different shades of gray.

techniques

  • ·hatching
  • ·cross-hatching
  • ·value gradation
  • ·line variation
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall sense of composition.
  • →Creating a flat, lifeless image by not varying the values and line weights.
  • →Failing to establish a clear light source and direction.
  • →Ignoring the importance of negative space in creating a balanced composition.

materials

surface · smooth drawing paper

required

  • ·graphite pencils (HB, 2B, 4B)
  • ·eraser
  • ·sketchbook or drawing paper
  • ·pencil sharpener
  • ·ruler
  • ·kneaded eraser

optional

  • ·tortillon or blending stump
  • ·drawing board
  • ·fixative spray

Experiment with different grades of graphite pencils to achieve a wider range of values. Use a kneaded eraser to lift graphite and create highlights.

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oil painting for beginners →how to learn by studying the masters →
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