apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Arreau - Vue de la route du col d'Aspin
Arreau - Vue de la route du col d'Aspin by Maxime Lalanne

plate no. 0750

Arreau - Vue de la route du col d'Aspin

Maxime Lalanne

oilRealismlandscapemountainsvalleyvillageskylandscapehills
some experience helpful

This painting provides an opportunity to practice atmospheric perspective and creating depth through value changes. Students can develop skills in rendering textures of mountains and foliage using a limited palette.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: mountains, valley, and foreground.

  2. step 02

    Establish the horizon line and key perspective lines.

  3. step 03

    Apply a thin wash of light gray/beige to the entire canvas.

  4. step 04

    Begin blocking in the darkest values in the foreground and gradually lighten as you move towards the background to create depth.

  5. step 05

    Add details to the mountains, suggesting texture with short, broken strokes.

  6. step 06

    Define the village in the valley with small, dark accents.

  7. step 07

    Refine the sky with subtle gradations of light gray.

  8. step 08

    Add final highlights to the foreground rocks and foliage.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt umber

Mix various shades of gray by combining black and white. Add small amounts of raw umber or yellow ochre to warm the grays for the foreground and midground.

techniques

  • ·value studies
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details in the background, which will flatten the perspective.
  • →Using too much contrast in the background, which will bring it forward.
  • →Making the colors too saturated, which will detract from the subtle atmosphere.
  • →Ignoring the importance of soft edges to create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·round brushes (small and medium)
  • ·palette
  • ·linseed oil
  • ·mineral spirits

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

A toned canvas (light gray or beige) will help establish the overall value range.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy