apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Armenian wedding
Armenian wedding by Jean Baptiste Vanmour

plate no. 3683

Armenian wedding

Jean Baptiste Vanmour, 1737

oil, canvasBaroquegenre paintingfigureslandscapetreesbuildingprocessionwedding
experienced study

Recreating this painting will help students develop skills in depicting figures in a crowd and understanding atmospheric perspective to create depth in a landscape. It also provides practice in rendering fabric and subtle color variations in shadows.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition, focusing on the placement of the main groups of figures and the key landscape elements.

  2. step 02

    Block in the large shapes of the background elements (sky, trees, building) using thin washes of color.

  3. step 03

    Establish the basic values and colors for the ground plane, creating a sense of depth through subtle shifts in tone.

  4. step 04

    Start painting the figures, working from back to front. Focus on capturing the general shapes and colors of the clothing.

  5. step 05

    Refine the details of the figures in the foreground, paying attention to the folds of the fabric and the facial features.

  6. step 06

    Add highlights and shadows to create form and dimension, using subtle glazing techniques to blend the colors.

  7. step 07

    Paint the architectural details of the building, focusing on the play of light and shadow.

  8. step 08

    Add final details and adjustments to unify the painting and enhance the overall atmosphere.

color palette

primary · raw umber · ivory black · titanium white · cadmium red light

secondary · yellow ochre · viridian · ultramarine blue

Mix greens by combining viridian with yellow ochre and ivory black for darker shades. Achieve the various skin tones by mixing cadmium red light, yellow ochre, titanium white, and a touch of raw umber.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not creating enough variation in the figures' poses and expressions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (#2, #4, #6)
  • ·linseed oil

optional

  • ·palette knife
  • ·dammar varnish
  • ·medium (e.g. Liquin)

Use a fine-weave canvas for smoother blending. Consider toning the canvas with a thin wash of raw umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne