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home·artworks·Arleux du Nord, the Drocourt Mill, on the Sensee
Arleux du Nord, the Drocourt Mill, on the Sensee by Camille Corot

plate no. 4783

Arleux du Nord, the Drocourt Mill, on the Sensee

Camille Corot, 1871

oil, canvasRealismlandscapebuildingtreeswaterfiguresskymill
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle variations in light and shadow within a muted color palette. It also provides practice in rendering reflections in water and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mill, trees, and water.

  2. step 02

    Establish the sky with a thin wash of light blue and gray, blending the colors softly.

  3. step 03

    Block in the large shapes of the trees and the mill with broad strokes, using darker values for shadows.

  4. step 04

    Begin to define the details of the mill, paying attention to the architectural elements and the play of light on the surfaces.

  5. step 05

    Add the reflections in the water, using similar colors to the objects above, but with softer edges and slightly darker values.

  6. step 06

    Refine the foliage of the trees, using a variety of greens, browns, and yellows to create texture and depth.

  7. step 07

    Add the figures in the foreground, keeping them simple and understated.

  8. step 08

    Make final adjustments to the values and colors to create a sense of atmosphere and unity.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · cerulean blue · burnt sienna

Achieve the muted tones by mixing complementary colors and adding white to soften the intensity. Use a limited palette to create harmony.

techniques

  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a convincing sense of depth in the landscape.
  • →Making the reflections too literal and not softening the edges.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cerulean blue oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a smooth or slightly textured surface. Consider using a toned canvas to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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