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Aristotle by Luca Giordano

plate no. 2679

Aristotle

Luca Giordano, 1653

oilBaroqueportraitfigureportraitbookbeardold manrobe
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing the likeness and age of a subject, as well as understanding chiaroscuro to create depth and drama. It also offers practice in rendering textures like skin, fabric, and paper.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure, book, and background.

  2. step 02

    Block in the main areas of color, focusing on the dark background, the robe, the skin tones, and the book.

  3. step 03

    Start building up the values, working from dark to light, to create depth and form.

  4. step 04

    Pay close attention to the light source and how it affects the highlights and shadows on the figure's face and hands.

  5. step 05

    Develop the details of the face, including the eyes, nose, mouth, and beard, using small, controlled brushstrokes.

  6. step 06

    Render the texture of the robe and the book, using different brushstrokes and techniques to create visual interest.

  7. step 07

    Add the details of the writing and diagrams in the book, using a fine brush or liner.

  8. step 08

    Refine the overall painting, adjusting values and adding highlights and shadows as needed to create a sense of realism.

color palette

primary · burnt umber · raw umber · titanium white · ivory black

secondary · yellow ochre · cadmium red light · naples yellow

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Use umber and black for the dark background, adding white to create subtle variations in tone. Achieve the off-white color of the book with white, a touch of yellow ochre, and a hint of umber.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Not paying enough attention to the light source and how it affects the values.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use a toned canvas (e.g., with a thin wash of burnt umber) to help establish the dark values from the beginning.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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