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home·artworks·Arches in ruins with figures
Arches in ruins with figures by Michele Cammarano

plate no. 0509

Arches in ruins with figures

Michele Cammarano

oil, canvasRealismcityscaperuinsarchitecturefigurelandscapebuildingvegetation
some experience helpful

Recreating this painting will help students develop skills in rendering textures of old brick and stone, as well as capturing the atmospheric perspective and subtle value changes in a monochromatic palette. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 7 steps

  1. step 01

    Lightly sketch the basic shapes of the ruins, building, and figures, paying attention to proportions and perspective.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of paint.

  3. step 03

    Begin to build up the texture of the brick and stone using short, broken brushstrokes and varying the value of the paint.

  4. step 04

    Add details to the figures, focusing on capturing their form and gesture with simple shapes and values.

  5. step 05

    Refine the foliage and vegetation, using a variety of greens and browns to create depth and texture.

  6. step 06

    Adjust the overall value contrast and add highlights to create a sense of light and atmosphere.

  7. step 07

    Add final details and refine edges to complete the painting.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Achieve subtle value variations by gradually mixing black and white. Use small amounts of yellow ochre or burnt sienna to warm up the grays and create a sense of depth.

techniques

  • ·dry brushing
  • ·scumbling
  • ·value studies
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating too much contrast and making the painting look harsh.
  • →Ignoring the subtle value changes and creating a flat, lifeless painting.
  • →Not establishing a clear focal point and confusing the viewer.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas to allow for texture. Consider using a slightly toned canvas to help establish the value range.

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