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home·artworks·Aqueducts in the Roman Campagna
Aqueducts in the Roman Campagna by Ippolito Caffi

plate no. 3497

Aqueducts in the Roman Campagna

Ippolito Caffi, 1843

oilRealismcityscapeaqueductsruinslandscapeskyarchitecturehills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through color and value changes. It also provides practice in rendering architectural forms with simplified brushstrokes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the aqueducts and the horizon line.

  2. step 02

    Block in the sky with a gradient of blues, from darker at the top to lighter near the horizon.

  3. step 03

    Establish the base color of the landscape, using a mix of browns and greens.

  4. step 04

    Begin to define the aqueducts, starting with the darkest shadows and gradually adding highlights.

  5. step 05

    Add details to the aqueducts, such as the arches and crumbling textures.

  6. step 06

    Refine the landscape, adding details like grass and distant hills.

  7. step 07

    Adjust the values and colors to create atmospheric perspective, making distant objects lighter and less detailed.

  8. step 08

    Add final highlights and details to the aqueducts and landscape.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · titanium white · raw sienna · cadmium yellow

Mix blues and white for the sky, varying the proportions to create the gradient. Use yellow ochre and burnt umber for the aqueducts, adding white for highlights. Mix browns and greens for the landscape, adding blue to create distance.

techniques

  • ·atmospheric perspective
  • ·value gradation
  • ·simplified architectural rendering
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details of the aqueducts.
  • →Failing to create a convincing sense of depth.
  • →Using colors that are too saturated.
  • →Ignoring the subtle value changes in the sky and landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#6 flat brush
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a medium-grit canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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