apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Aqua Alta (High water) during the carnival in Venice
Aqua Alta (High water) during the carnival in Venice by Wenzel Tornøe

plate no. 1810

Aqua Alta (High water) during the carnival in Venice

Wenzel Tornøe, 1889

oil, canvasRealismgenre paintingfigureswaterbuildingscityscapeboatssky
experienced study

Recreating this painting will help students develop skills in rendering figures in a complex scene and capturing reflections in water. It also provides practice in creating atmospheric perspective to suggest depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of major elements.

  2. step 02

    Block in the main shapes and colors of the buildings and figures using thin washes.

  3. step 03

    Establish the sky and water, paying attention to the subtle color variations and reflections.

  4. step 04

    Develop the figures, adding details and refining their forms.

  5. step 05

    Work on the architectural details of the buildings, focusing on accurate perspective.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the reflections in the water, using broken brushstrokes to suggest movement.

  8. step 08

    Add final details and adjust values to create a cohesive and atmospheric painting.

color palette

primary · raw umber · yellow ochre · titanium white · ivory black

secondary · cadmium red · ultramarine blue · burnt sienna

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use glazes of burnt sienna and umber to create depth in shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·rendering reflections

common pitfalls

  • →getting lost in the details too early
  • →overworking the reflections
  • →inaccurate perspective
  • →muddy colors
  • →lack of value contrast

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas for better texture. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy