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home·artworks·Apple Market, Landerneau, Brittany
Apple Market, Landerneau, Brittany by Léon Augustin Lhermitte

plate no. 8549

Apple Market, Landerneau, Brittany

Léon Augustin Lhermitte, 1878

oil, canvasRealismgenre paintingfiguresbuildingsmarketapplestownstreet
experienced study

Recreating this painting will help students develop skills in rendering figures in a complex scene and creating atmospheric perspective through subtle value and color shifts. It also provides practice in depicting textures of stone and fabric with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the buildings and figures.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main colors of the buildings, figures, and ground, paying attention to the local color and light.

  4. step 04

    Refine the details of the buildings, adding windows, doors, and architectural features.

  5. step 05

    Develop the figures, focusing on accurate proportions and gestures.

  6. step 06

    Add details to the apples and baskets, using small brushstrokes to create texture.

  7. step 07

    Adjust the values and colors to create atmospheric perspective, making distant objects lighter and cooler.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · yellow ochre · cadmium red light · ultramarine blue · sap green

Achieve the muted tones by mixing earth tones with white and small amounts of other colors. Create variations in the stone by mixing different combinations of umber, sienna, and white.

techniques

  • ·grisaille underpainting
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium alkyd

Use a medium-tooth canvas to allow for visible brushstrokes. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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