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home·artworks·Apple Harvest in Normandy
Apple Harvest in Normandy by Constant Troyon

plate no. 6645

Apple Harvest in Normandy

Constant Troyon, 1865

oil, canvasRealismlandscapetreesfigureslandscapebuildingsskyanimals
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex foliage with varied values. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tree, buildings, and figures.

  2. step 02

    Establish the sky with light blue and gray washes, blending the clouds softly.

  3. step 03

    Block in the large shapes of the trees and foliage with dark greens and browns.

  4. step 04

    Add details to the buildings, including the thatched roofs and window details.

  5. step 05

    Paint the figures and animals, paying attention to their proportions and placement within the scene.

  6. step 06

    Develop the foreground with varying shades of green and brown, adding texture to the grass.

  7. step 07

    Refine the details of the tree, adding highlights and shadows to create depth.

  8. step 08

    Add final touches and highlights to the entire painting, ensuring a cohesive and balanced composition.

color palette

primary · sap green · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red · raw sienna

Achieve the muted greens by mixing sap green with burnt umber and yellow ochre. Create the sky tones by blending ultramarine blue with titanium white and a touch of burnt umber for the grays.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·layering

common pitfalls

  • →Overworking the details in the foliage, resulting in a flat and lifeless appearance.
  • →Failing to establish a clear sense of depth and perspective.
  • →Inaccurate proportions of the figures and animals.
  • →Overblending the colors, resulting in a muddy or dull appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#6 flat brush
  • ·#2 filbert brush

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for better paint adhesion and texture.

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oil painting for beginners →how to learn by studying the masters →
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