
plate no. 3350
Georges de la Tour, 1640
This painting provides an excellent opportunity to practice chiaroscuro and rendering figures in low light. Students can learn to create depth and form using subtle value changes.
technical profile
approach — 8 steps
Sketch the basic composition, paying attention to the placement of the figures and the candle.
Establish the darkest areas of the painting with a dark brown or black.
Begin to build up the mid-tones, focusing on the areas illuminated by the candlelight.
Carefully blend the transitions between light and shadow to create a soft, diffused effect.
Add the highlights on the figures' faces and hands, using a light ochre or yellow.
Refine the details of the candle and the objects on the table.
Glaze with thin layers of burnt umber to unify the color palette and deepen the shadows.
Add final highlights to enhance the sense of light.
color palette
primary · burnt umber · raw umber · yellow ochre · titanium white
secondary · cadmium red light
Achieve the warm, glowing tones by mixing yellow ochre and burnt umber with white. Use small amounts of cadmium red to add warmth to the skin tones. Create the dark shadows by mixing burnt umber and black.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth texture to facilitate blending. Consider using a toned canvas to speed up the painting process.
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