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home·artworks·Appearance of Angel to St. Joseph, also called The Song of St. Joseph
Appearance of Angel to St. Joseph, also called The Song of St. Joseph by Georges de la Tour

plate no. 3350

Appearance of Angel to St. Joseph, also called The Song of St. Joseph

Georges de la Tour, 1640

oil, canvasTenebrismreligious paintingfigurescandletablereligious scenelightshadow
some experience helpful

This painting provides an excellent opportunity to practice chiaroscuro and rendering figures in low light. Students can learn to create depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
5
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and the candle.

  2. step 02

    Establish the darkest areas of the painting with a dark brown or black.

  3. step 03

    Begin to build up the mid-tones, focusing on the areas illuminated by the candlelight.

  4. step 04

    Carefully blend the transitions between light and shadow to create a soft, diffused effect.

  5. step 05

    Add the highlights on the figures' faces and hands, using a light ochre or yellow.

  6. step 06

    Refine the details of the candle and the objects on the table.

  7. step 07

    Glaze with thin layers of burnt umber to unify the color palette and deepen the shadows.

  8. step 08

    Add final highlights to enhance the sense of light.

color palette

primary · burnt umber · raw umber · yellow ochre · titanium white

secondary · cadmium red light

Achieve the warm, glowing tones by mixing yellow ochre and burnt umber with white. Use small amounts of cadmium red to add warmth to the skin tones. Create the dark shadows by mixing burnt umber and black.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Overblending, which can flatten the forms.
  • →Using too much white, which can make the colors appear chalky.
  • →Ignoring the subtle value changes in the shadows.
  • →Not establishing a strong focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·cadmium red light oil paint

Use a canvas with a smooth texture to facilitate blending. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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