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home·artworks·Apparition of Jesus Child to St. Anthony of Padua
Apparition of Jesus Child to St. Anthony of Padua by Francisco de Zurbaran

plate no. 1683

Apparition of Jesus Child to St. Anthony of Padua

Francisco de Zurbaran, 1630

oilBaroquereligious paintingfigurereligiousbookflowershalochild
some experience helpful

Recreating this painting will help students understand chiaroscuro and how to create form with light and shadow. It also provides practice in rendering drapery and subtle skin tones.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figure and other elements.

  2. step 02

    Establish the dark background with a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figure and the book with mid-tone browns and grays.

  4. step 04

    Begin building up the highlights on the figure's face, hands, and robe, using lighter shades of the base colors.

  5. step 05

    Refine the details of the face, paying attention to the subtle shifts in value.

  6. step 06

    Add the details of the book and flowers, using small brushes and precise strokes.

  7. step 07

    Create the apparition of the child with soft, diffused edges and a glowing effect.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · raw umber · burnt umber · titanium white

secondary · yellow ochre · ivory black

Mix various shades of brown and gray by combining raw umber, burnt umber, and titanium white. Use yellow ochre to warm up the skin tones and ivory black to deepen the shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of soft transitions.
  • →Failing to establish a strong sense of light and shadow.
  • →Inaccurate proportions in the figure.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (raw umber, burnt umber, titanium white, yellow ochre, ivory black)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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