
plate no. 5867
George Elgar Hicks, 1883
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating a subtle and harmonious color palette.
technical profile
approach — 8 steps
Lightly sketch the overall composition, focusing on the proportions of the figure and the placement of key elements.
Block in the main shapes of the figure, chair, and background with thin washes of color.
Establish the basic skin tones and begin to refine the facial features, paying attention to light and shadow.
Develop the details of the dress, focusing on the folds and textures of the fabric.
Work on the chair, adding details and creating a sense of depth.
Refine the background, paying attention to the subtle variations in color and tone.
Add the details of the hands and the book.
Make final adjustments to the values and colors to create a cohesive and harmonious painting.
color palette
primary · ultramarine blue · raw umber · titanium white · yellow ochre
secondary · burnt sienna · cadmium yellow light
Mix various shades of blue by combining ultramarine blue with raw umber and white. Create skin tones by mixing yellow ochre, burnt sienna, and white, with small amounts of blue or green for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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