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Anne Weston by John Riley

plate no. 6846

Anne Weston

John Riley, 1660

oilBaroqueportraitportraitfiguredressdraperylandscapecolumn
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practice blending and layering techniques to create depth and form in clothing and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions and placement of the figure and background elements.

  2. step 02

    Establish the main light and shadow areas using a mid-tone underpainting.

  3. step 03

    Begin layering in the skin tones, paying close attention to subtle color variations and highlights.

  4. step 04

    Block in the main colors of the dress and drapery, focusing on the overall shapes and folds.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Add details to the dress and drapery, such as the folds, textures, and embellishments.

  7. step 07

    Paint the background elements, including the column and landscape, using soft, blended brushstrokes.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt umber

secondary · alizarin crimson · viridian green

Mix skin tones using white, yellow ochre, and a touch of alizarin crimson. Create the blue of the dress by mixing ultramarine blue with white and a touch of burnt umber for shadows. Achieve the gold tones by mixing yellow ochre with burnt umber and white.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·rendering fabric
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle color variations in the dress and drapery.
  • →Neglecting the background elements, which can detract from the overall composition.
  • →Getting the proportions of the face wrong, leading to an inaccurate likeness.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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