
plate no. 6846
John Riley, 1660
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practice blending and layering techniques to create depth and form in clothing and drapery.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the proportions and placement of the figure and background elements.
Establish the main light and shadow areas using a mid-tone underpainting.
Begin layering in the skin tones, paying close attention to subtle color variations and highlights.
Block in the main colors of the dress and drapery, focusing on the overall shapes and folds.
Refine the details of the face, including the eyes, nose, and mouth.
Add details to the dress and drapery, such as the folds, textures, and embellishments.
Paint the background elements, including the column and landscape, using soft, blended brushstrokes.
Add final highlights and shadows to enhance the sense of depth and realism.
color palette
primary · ultramarine blue · yellow ochre · titanium white · burnt umber
secondary · alizarin crimson · viridian green
Mix skin tones using white, yellow ochre, and a touch of alizarin crimson. Create the blue of the dress by mixing ultramarine blue with white and a touch of burnt umber for shadows. Achieve the gold tones by mixing yellow ochre with burnt umber and white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.
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