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home·artworks·Anne Rider, Sister of John Smith, Speaker of the House of Commons
Anne Rider, Sister of John Smith, Speaker of the House of Commons by John Riley

plate no. 7668

Anne Rider, Sister of John Smith, Speaker of the House of Commons

John Riley, 1675

oilBaroqueportraitportraitfiguredresshairfaceclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing subtle skin tones, as well as understanding how to render fabric and drapery.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and dress.

  2. step 02

    Establish the background with a dark, muted tone, leaving a slightly lighter area around the figure's head.

  3. step 03

    Block in the main areas of color for the skin, hair, and dress, using thin washes of paint.

  4. step 04

    Begin to refine the skin tones, adding highlights and shadows to create form and volume.

  5. step 05

    Develop the details of the hair, using small, broken brushstrokes to suggest texture and curls.

  6. step 06

    Work on the dress, paying attention to the folds and highlights to create a sense of depth and movement.

  7. step 07

    Add the details of the jewelry and any other accessories.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · ivory black · titanium white · cadmium red light · ultramarine blue

secondary · yellow ochre · burnt umber · raw sienna

Mix skin tones using white, red, yellow ochre, and a touch of blue or umber for shadows. Achieve the dark blues of the dress by mixing ultramarine blue with black and a touch of red. Use white to create highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to create a sense of depth and volume in the dress.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·yellow ochre oil paint
  • ·burnt umber oil paint

Use high-quality oil paints for best results. A smooth canvas surface will be easier to blend on.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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