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home·artworks·Anna and blind Tobit
Anna and blind Tobit by Gerrit Dou

plate no. 9174

Anna and blind Tobit

Gerrit Dou

oilBaroquegenre paintingfiguresinteriorwindowlightshadowfire
experienced study

Recreating this painting will help students develop skills in rendering dramatic lighting and creating a sense of depth through tonal variations. It also provides practice in depicting figures in a dimly lit environment.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the window.

  2. step 02

    Establish the darkest areas of the painting with a dark brown or black.

  3. step 03

    Block in the main shapes of the figures and the interior with mid-tone values.

  4. step 04

    Begin to build up the light areas around the window and on the figures, using thin layers of paint.

  5. step 05

    Develop the details of the faces and clothing, paying attention to the subtle shifts in value.

  6. step 06

    Add the highlights and shadows to create a sense of form and dimension.

  7. step 07

    Refine the details of the background and the objects in the room.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white · alizarin crimson

Achieve the dark, rich tones by mixing burnt umber and ivory black. Use yellow ochre and titanium white to create the warm highlights. Add small amounts of alizarin crimson to create subtle variations in the flesh tones and fabrics.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Losing the sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a high-quality canvas primed with oil-based gesso for best results. Consider using a toned canvas to help establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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